La Bête de la Mer (Tapisserie de l’Apocalypse), uploaded to Wikipedia by Kimon Berlin

When we think of beasts, we concentrate on, instead of the volumes of overwhelming similarities, that which sets us apart from them. Distinguishing characteristics. We can own them, for one. They might communicate or not, but they don’t speak any of the human languages, don’t demonstrate a huge vocabulary, and show little facility for learning languages that aren’t the ones they were born with. They aren’t big on manual dexterity and, when they make or use tools, they get by with the bare minimum. Though many of them sing or dance or both, they aren’t big on the literary arts or visual arts — but we should take into account that we look for representational elements when we don’t even share visual spectra with many of them, as we also fail to make allowances for lack of vocabulary and manual dexterity in expression. In any case, they don’t seem to tell stories, and we do like stories. Read the rest of this entry »